I once again have the honor of covering Fantasia Int’l Film Festival remotely. There are a lot of exciting U.S. and foreign films showing at the fest (some premiering there) – Xavier Gens latest, Cold Skin; the Korean haunter, Satan’s Slaves; French zombies in The Night Eats the World; black metal hijinx in Heavy Trip; … More Fantasia Int’l Film Festival 2018
If you’re anything like me, you have probably heard some positive buzz about the Austrian (German?) cat-and-mouse film, Cold Hell. It made some waves on the festival circuit before being added as an exclusive to Shudder’s streaming features lineup. So, if you want to stream this one (legally of course) you gotta… A) get that … More Cold Hell (2017) – REVIEW
As we all know, anthology horror can be an extremely mixed bag. A single anthology can feature an amazing, top-tier short right alongside a worthless turd. A couple come to mind, but I’m not here to shit on specific titles. (looks like i need to put the breaks on my scatological references too! 2 refs … More Ghost Stories (2018) – Review
Some of you were probably wondering what happened to good ol’ Jason D. Well, wonder no more! I’m back. What’s that? You didn’t notice I was gone. And you don’t think I’m good? Well, shit. Either way, it’s been too long but I’m back with another timely review for 1993’s Dark Waters. And by ‘timely’, … More Dark Waters (1993) – REVIEW
Poor Agnes played here in Chicago at the Cinepocalypse Film Fest. Admittedly, I’ve never heard of director, Navin Ramaswaran before. Maybe because he hasn’t made a straight-up horror feature before (as far as I can tell). Whatever the reason, I had zero expectations going into Poor Agnes. I pretty much knew it was playing the … More Poor Agnes (2017) – REVIEW
Shyamalan has given us some great films and some turds. So with each new film, we roll the dice (or we give up and ignore his output altogether). When Split hit theaters, I figured I’d check it out eventually but I was in no big rush to see it. Sure, I liked his last film, … More Split (2016) – REVIEW
My final, final review from the Brooklyn Horror Film Festival this year is for Tragedy Girls. It’s been fun and I hope to cover the fest next year. Let’s get into it, shall we? McKayla and Sadie are hellbent on building their social media brand by any means necessary. Their brand is murder and … More Tragedy Girls – REVIEW
My penultimate review from my remote coverage of the Brooklyn Horror Film Festival is for Clementina, a film from Argentina by Jimena Monteoliva. I mention her, not because I expect you to know her work offhand, but because she shows the potential to be someone whose work you will know offhand. Let’s get into it, … More Clementina (2017) – REVIEW
The Brooklyn Horror Film Festival is behind us, but that doesn’t mean we can’t still talk about some of the films that played there! For example, I’m about to talk about the Mexican film, Veronica. All you have to do is read! Let’s get into it, shall we? A retired psychologist living in … More Veronica (2017) – REVIEW
Next up in my suite of reviews for the Brooklyn Horror Film Festival is the Canadian film, The Crescent. Let’s get into it, shall we? (yes, i am aware that my intros for festival reviews are pretty weak. if it upsets you to miss out on my rambling about things like ‘i thought The Crescent … More The Crescent (2017) – REVIEW
