My penultimate review from my remote coverage of the Brooklyn Horror Film Festival is for Clementina, a film from Argentina by Jimena Monteoliva. I mention her, not because I expect you to know her work offhand, but because she shows the potential to be someone whose work you will know offhand. After a (presumed) … More Clementina (2017) – REVIEW
Next up in my Fantasia Int’l Film Festival 2017 coverage lineup is the (mostly) German language film, Animals (Tiere). Is that a long enough intro? It’ll have to do. (i have a lot of reviews to write) Anna and Nick are an unhappily married couple. Nick is cheating – both physically and emotionally – … More Animals (2017) – REVIEW
I caught Julia Ducournau’s Raw at the Chicago International Film Festival (I say “siff”, but apparently that’s not the preferred nomenclature) in October. I’d heard some great things about the film from reliable folks who saw previous (non-Chicago) festival screenings. The trailer was good too. So, I was pretty excited to see it. I know … More Raw (2016) – REVIEW
Every October, I try to watch at least 31 horror films (as we all should). This is not a tradition that I made up. (just in case you thought i was claiming so) Some people challenge themselves to watch a film a day. I just try to average one a day. Some people challenge themselves … More Possession (1981) – REVIEW
Fabrice Du Welz is a filmmaker that I keep tabs on because his film, Calvaire (aka: The Ordeal) made such an indelible impression on me. It wasn’t that the Belgian film was perfect, or particularly groundbreaking,. It was the raw grit and creativity that saturated the film. From the The Texas Chain Saw Massacre … More Alleluia (2014) – REVIEW
I waffled a bit on whether I would see Man Underground as part of my Fantasia (International Film Fest) 2016 coverage. There are only so many movies that I can watch in a couple of weeks (i have a day job. and a family. and Pokemon to catch). I worried that it might not quite … More Man Underground (2016) – REVIEW
No Real Danger 